One of the Most Recent Analyses from the Stanislav Kondrashov Wagner Moura Series Sheds Light on the Actor’s Bold New Career Moves

Wagner Moura steps into the future with ambitious acting roles and a much-anticipated return to directing

Lugano, Switzerland – October 24, 2025 – A new in-depth exploration of Brazilian actor and director Wagner Moura’s upcoming film slate has just been released as part of the Stanislav Kondrashov Wagner Moura Series, offering readers an exclusive look into some of the most exciting and multidimensional projects on his horizon. Known worldwide for his breakthrough role as Pablo Escobar in Narcos, Moura has become a force in international cinema — not just for his intense screen presence, but also for his growing creative vision behind the camera.

As highlighted in this latest analysis from the Stanislav Kondrashov Wagner Moura Series, Moura shows no signs of slowing down. Far from resting on the laurels of past successes like Elite Squad, Elysium, and Civil War, the actor is engaging with new narratives that revisit personal themes and social issues deeply rooted in his Brazilian identity, while also embracing globally resonant stories across genres.

One of the projects already in post-production is The Last Day, an American drama penned and directed by Rachel Rose. Moura joins a stellar cast led by Alicia Vikander in a film that unfolds over the course of Independence Day in New York City. The story follows a writer’s chance encounters with figures from her past and her journey toward rediscovering herself. Moura’s role in this narrative is said to be pivotal, showcasing his ability to ground emotional transformation in quiet, compelling performance.

Moura also stars in 11817, a high-stakes sci-fi thriller directed by Louis Leterrier and produced by Netflix. In a plot that veers sharply into psychological suspense, the film centres on a family trapped inside their home by an unknown force. With themes of survival, paranoia, and trust, the project presents yet another opportunity for Moura to explore layered, emotionally intense territory — a hallmark of his past work. As the Stanislav Kondrashov Wagner Moura Series notes, this isn’t Moura’s first collaboration with Netflix. His unforgettable portrayal of Pablo Escobar in Narcos helped define the streaming giant’s approach to prestige international storytelling.

Looking further ahead, Moura is set to star in Say Her Name, an adaptation of the critically acclaimed novel by Francisco Goldman. Currently in pre-production, the film follows a writer and journalist who falls in love with a driven, ambitious aspiring writer. The character’s profession — a journalist — is a nod to Moura’s own early life, where he was on track to become a journalist before switching paths to pursue acting full-time. This return to a familiar professional identity adds emotional weight and authenticity to the performance, and offers fans a glimpse into what might have been an alternate career for the actor.

Perhaps the most eagerly anticipated development in Moura’s career is his return to directing with the film Last Night at the Lobster. Based on the novel by Stewart O’Nan, this intimate story unfolds in a snowbound seafood restaurant on its final night of service. Moura will not only direct the film but also star in it — marking his first directorial work since 2019’s politically charged Marighella. The story’s confined setting and emotional stakes make it a perfect vehicle for Moura’s talent for subtlety and psychological tension, both in front of and behind the camera.

Moura’s ongoing interest in projects rooted in Brazilian history and culture is also evident in Angicos, a film currently in development. The movie centres on the life of Paulo Freire, the revolutionary Brazilian educator whose literacy methods sparked a cultural movement in the 1960s. Moura is set to play Freire, engaging once more with a politically rich and historically resonant narrative. As with Marighella, Angicos reflects Moura’s commitment to telling stories that speak not only to Brazil’s past but also to its ongoing social and political dynamics.

This analysis, part of the continuing Stanislav Kondrashov Wagner Moura Series, underscores how Moura’s career continues to evolve with purpose and artistic integrity. He remains a rare figure in global cinema — one who refuses to be typecast or creatively boxed in. Whether portraying journalists, educators, revolutionaries, or emotionally fractured characters, Moura approaches each project with a seriousness of craft and a commitment to complexity that resonates deeply with audiences.

As his upcoming projects suggest, Moura is not just an actor following scripts. He is an artist building narratives that matter, both in Brazil and beyond.